Now. The Music.
Steven and I have discussed the fact that we both went through a period in the past few years in which we felt music was pretty much dead. There was a pretty epic period in the industry in the early 90’s~ and after that, it started depleting until it all felt tired and regurgitated. Everything seemed to be either an attempt at a retro revival, or some sort of lame genre-fusion. Rock and roll was so exciting in the 60′ and 70’s~ where was our generation’s answer to that kind of power and originality?
Fortunately, I think I see the answer. Music is not dead. In fact, I will even venture to say that something is being born now that rivals and even surpasses the most exciting breakthroughs in music in the past century. Oh yes. It has arrived.
Some background: first off, I’m from the South. Being a Southern girl by blood, and born to two musicians who spent their early twenties in a rock band together, I know the goods when I hear ‘em. As Will says, ” a little tip for you Yankees: music comes from the South.” That is where the deepest, grooviest, funkiest, most soulful, rhythmic, take-you-to-town-and-eat-your-face-off-while ripping-your heart-out-and-bringing-you-to-tears, come-to-Jesus, epic and true sound is generated: in the Southern bayou, the peach trees, the streets of Atlanta. (Sorry if you don’t agree. You’re just wrong, and you probably haven’t actually BEEN there. Go. You’ll see what I’m talkin’ about.) Anyways, music is in my bones, and it’s the singularly biggest influence I have on every level. (Yes, I’m a visual artist. Sometimes I get bent out of shape about that, because since I was little I’ve always wanted to be in the band. But when something sonical hits my brain, it turns into pictures. Most of my art is generated as a response to something I’ve heard. Sometimes it’s generated by something more ethereal, but mainly, music is the stuff that reminds me of how I really feel about shit. They say that the Universe was created by Sound, and I would have a real hard time arguing that.)
Secondly, I spent a good part of my late teens and early twenties going to raves. Will and Dan and the rest of the boys were total candy kids, and we all got really into electronic music. As much fun as it was, there was definitely a missing component on an emotional level for me. Electronica becoming such a big feature in modern music is really appropriate, given our dependency on and fascination with technology. There are amazing things that can be done with it. It’s just that on its own, it can run a bit flat. Still, something hugely important was born out of that era~ a vital new component to musical composition, and a subculture based around dancing and feeling good.
Lastly~ the electric guitar. My dad took me to see the Allman Brothers a couple years ago, and Derek Trucks was on tour with them. That dude totally blew my mind. I was standing there, riveted, because I realized he was TALKING to me with that guitar. I absolutely heard what he was saying, on a much deeper level than I ever could have had he been using words to communicate. It just grabbed me by the heart and squeezed. So, I do realize what the guitar is capable of. I absolutely love what it did for classic rock. It was epic, soulful, electrifying. And yet, another conversation Steven and Sarah conversation has been about how tired the guitar feels currently. Because it’s been used so heavily, and usually as the melodic lead, it’s sort of started to feel cliche. (No offense to those of y’all that play guitar. Plenty of the men I love do. And I have mad respect.) I’m just saying, it’s time for a rebirth as far as how it’s utilized. It’s been carrying the load in rock music for so long that it’s even more difficult to find new directions to take it. (Or so I thought.)
Back to the show. I want to say a word about all the bands that went on before STS9 did, because the build-up was a vital part of the context that was created. The Album Leaf opened the show. They came on around 4 in the afternoon, with the weather still overcast. People were still trickling in, and the vibe was very chill. It was an amazing set. Their music is beautiful, sort of rainy and dreamy and rolling hills-y. They were tight, yet there was this sense of looking in on a private jam session. It felt like being invited into their living room or something~ it was raw and natural and totally lacking in pretense. It was the perfect beginning to the evening~ it got everybody into good spirits, and started building excitement for what was coming later.
The Pnuma Trio played next, and they were great. A little more up-tempo than the Leaf, but nothing raucous or demanding. By the time they finished, the sun had started going down a little, and the anticipation was building. Pretty Lights came out then, and I have to say, I was absolutely blown away. It was right around sunset, the park was almost full, and everybody started really rocking out. Incredibly groovy, gorgeous stuff. (Try “Finally Moving”, if you’re curious. ) The stars were coming out. It was pouring rain. Everybody was dancing. We were getting closer….
And then, The Magic. STS9 came out. Keep in mind, I’ve never listened to these guys in recorded form. This is not the kind of music that you need to be familiar with in order to appreciate. In fact, the recorded version almost demeans it. Oh man. I really don’t even know where to begin in describing this. When they appeared on stage, the feeling was like the entire crowd had been slowly climbing a hill on a roller coaster. We were creeping upwards, inching towards the zenith, and then, after briefly pausing at the top, we plummeted. Our stomachs cumulatively flipped. Everybody started dancing like their lives depended on it. We were all muddy, soaking wet, dancing in unison, and the music was transporting the crowd to a place in another league, on another level.
Experentially, it was just intensely beautiful. There is this certain energy I’ve been chasing and promoting for most of my life. I have a hard time verbalizing it, but I definitely always recognize it when I see it. I’ve experienced it in small doses in various places through my life~ certain places in nature, certain conversations I’ve had, seeing Saul Williams live a few years ago. The funny thing is, the medium it’s expressed in is pretty much irrelevant. The feeling is always the same~ the way people react to it, and the realizations it brings. I figured out awhile ago that that energy is what I want to bring into the world, and that any tactic or venue that allows me to do it is completely acceptable. That being said, I think music is one of the most powerful and universal channels for it to come through, and this is the first time I’ve ever experienced it in a live show format. (To be honest, I never felt like I really got the live show thing. Shows are fun, don’t get me wrong. But I’ve always been partially fascinated with and partially jealous of the screaming, jumping, tearful fans I’ve seen in videos. I couldn’t fully relate~ until now.) That sound eclipsed everything but the moment.
Sonically, it’s kind of hard to describe. As weird as it may sound, there were times during the show in which I sort of transcended everything and went somewhere else. Between the amazing light show, the sound, the people, and the dancing, it was sort of impossible to take it all in at once. Ultimate Sensory Overload. The guitar really grabbed me~ it felt juicy and alive and soulful, the way I imagine it sounding in the early days of classic rock. It had enough of that quality that it sounded like a tribute, yet it was also something completely new at the same time. The electronic component was absolutely alive too, and groovy as hell. The composition of all of it was sophisticated and interesting, yet it was still accessible and absolutely fucking delicious~ I am convinced, it would have been utterly impossible to keep from shaking my ass like crazy. (As far as I’m concerned, the good music is the stuff that hits you in between the hips and compels you to gyrate. I’ve always been into the low end of a song~ the bass and the drums are really what gives you the tingly feeling and drives it all home.) STS9 had it in spades. I don’t think I’ve ever danced like that in my entire life. This was beyond anything I ever experienced at a rave. It felt like electric shocks were coursing through my body, and I was compelled to move with the force of my whole soul. Musically, it was like a tribute to our big musical roots~ organic and electronic, but fuller, and richer, and a marriage that brought more out of both of them than was ever possible when they stood alone. It sort of sonically answered all the questions I’ve posed about the future of music, and soothed all my fears about what’s been happening lately. For the first time, I truly could see the culmination of everything that’s been missing or disjointed up until this point.
The music also blessed me with a persistent stream of visual images all night. I was so full of ideas for things I wanted to create that I’ve probably forgotten half of them already. (I think the most important ones stuck.) I’ve never been so inspired in such a short chunk of time. I also started to see new possibilities for the combination of art and music, and how much they have to offer each other. Spiritually, the whole thing felt like coming home. The gateway for new soul in modern music, an avenue to actually shift people’s consciousness in the course of a couple hours, a way to create community, to satiate spiritual and emotional poverty, and a way to create beauty in a way that’s impossible to deny. I was surrounded by the people dearest to me whom I absolutely love, and a bunch of people I’d never met but for the evening, loved anyway. I just can’t say enough. I see this as the beginning of a mission to uplift the spirit of the world and remind everybody what is actually important and true about life. Honestly, it’s still just in the fledgling stages, but it’s definitely arrived, and it will only grow from here. The seed of magic has been planted.
I don’t know if I’ve done a sufficient job of describing it, but really, words pale in comparison. Honestly, if you really want to know, you probably need to go see for yourself. (They are still touring, and if you’re local, there’s talk of a New Year’s show that I would DEFINITELY make it a point to be at if I were you. ) My main point is that music is not dead. God isn’t either. There is a new path to salvation, and it appears to me that the arts are going to pave the way. Of course, that sounds preposterous and lofty. But we’re in need of something exactly like that. The pop fixation on apathy and breezy unaffectedness is just weak bullshit. Let’s pour our souls into creating something gorgeous and nourishing~ a tribute to the gift of life, and a message of hope for everyone. That’s not something that can be half-assed. It’s gonna take a passionate, fiery, balls-to-the-wall commitment. And hey, if you’re not an artist by nature, it’s totally cool. All you need do is come to the shows and dance your heart out.
So. That’s what I have to say about the musical and creative components. I have a few other tidbits, and maybe a bit more detail about the Ranch for an upcoming blog. In the meantime, thanks for listening. Hopefully, in the midst of all my rambling and gushing, I’ve given you something of substance to marinate on.
XO,
Sarah